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Reading India's smallest coins

Hoysala and Vijayanagara gold: coins the size of a lentil, struck with a punch, carrying a whole iconography. How to look at something four millimetres across.

Por Gyan Museum · The museumPublicado el 3 min de lectura

Este texto está publicado en inglés. El museo no lo ha traducido y prefiere decirlo antes que ofrecer una traducción automática.

What are Hoysala and Vijayanagara gold coins?

They are the gold coinage of two southern Indian states — the Hoysalas, from the eleventh to the fourteenth century, and Vijayanagara after them until the seventeenth. Both struck small, thick gold pieces by punching a die into a globule of metal. The largest, the pagoda, is about the size of a fingernail; the everyday fanam is smaller than a lentil and still carries a full deity figure.

The habit museums teach is to look at coins as a series. It is the wrong habit for this material. A Vijayanagara fanam is four millimetres across and half a millimetre of that is legible; you learn nothing from a tray of forty of them and a great deal from one under magnification for five minutes. The numismatics gallery shows them accordingly.

Punched, not struck

A European hammered coin is made between two dies, and the design covers the flan because the flan is flat. A South Indian gold coin was made by dropping a globule of gold onto a lower die and driving a punch into it. The metal spreads outward as it is compressed, so the centre takes the die fully and the edges receive less and less of it.

That is the single most important fact for a viewer. When a fanam looks like half a picture, this is usually not wear. It is how it left the mint. Judge these coins by the sharpness of the centre and not by the completeness of the image.

What is on them

  • Hoysala. The dynastic emblem — a warrior confronting a tiger — appears on the larger denominations, with a legend in Nagari naming the ruler or a title. The types are few and the standard is high.
  • Vijayanagara. A wider iconography: Venkateshwara standing frontally, Balakrishna seated, Shiva and Parvati together, the boar and dagger of the imperial emblem, and Hanuman and Garuda on some issues. Reverses generally carry a two- or three-line legend.
  • Weight. The pagoda holds close to three and a half grams with unusual consistency across centuries and successor states, which is why it was accepted so widely and why the word survived into European trade records.

Why gold, at this size

A gold coinage of very small denominations only makes sense in an economy where gold circulates at the level of ordinary transactions. South India had one, sustained by both mining and long-distance trade, and the fanam is its signature: the smallest unit worth striking in the most valuable metal, made in enormous numbers, in a form that could be carried in a fold of cloth.

The same metal, worked by the same regional traditions and often to the same weight standards, turns up as ornament in jewellery. Coins were also frequently pierced and worn, and a coin necklace is a monetary document as much as an ornament.

Looking at one

  1. Find the centre of the punch. Read outward from it.
  2. Identify the figure before you look for the legend; the figure is bigger.
  3. Check the edge for a piercing or a solder scar — evidence it was worn.
  4. Weigh it, if you can. On this material the weight is the most reliable single piece of evidence you will get.

Preguntas

What is a fanam?
A fanam is a small South Indian gold coin, often only three to five millimetres across and weighing a fraction of a gram. It was the everyday gold denomination across much of southern India for centuries, struck by punching a die into a gold globule, and it carries a compressed version of the same imagery as the larger pagoda.
What is a Vijayanagara pagoda?
A pagoda, or varaha, is the principal gold coin of the Vijayanagara empire and its successors, weighing roughly three and a half grams. Types carry deities — Venkateshwara, Balakrishna, Shiva and Parvati — or the boar emblem of the empire, with a legend on the reverse in Nagari or Kannada script.
How were these coins made?
By punching rather than by striking between two dies in a press. A globule of gold was placed on a lower die and a punch driven onto it by hammer. Because the metal spread unevenly, the design is usually complete in the centre and lost at the edges — which is why so many of these coins look partial even in mint condition.

Ver estos objetos

Los objetos de los que se habla aquí se conservan en el Gyan Museum, en Sitapura, Jaipur. El museo abre de lunes a sábado, solo con cita previa, y la visita la guía un conservador.